Thursday, February 10, 2022

jason hirschhorn's @MusicREDEF: 02/10/2022 - Snoop Takes Over, Betty Davis, Black Opry, Earl Sweatshirt, African Streaming Wars...

I wrote and sung my heart out. Three albums of hard funk. I put everything there. But doors in the industry kept closing. Always white men behind desks telling me to change—change my look, change my sound... I learned that stars starve in silence.
Open in browser
Thursday February 10, 2022
REDEF
Betty Davis in New York, 1969.
(Anthony Barboza/Archive Photos/Getty Images)
quote of the day
"I wrote and sung my heart out. Three albums of hard funk. I put everything there. But doors in the industry kept closing. Always white men behind desks telling me to change—change my look, change my sound... I learned that stars starve in silence."
- Betty Davis, 1944 – 2022
rantnrave://
The Day Snoop Took Over

Artists are supposed to be selling their catalogs this year but apparently no one told SNOOP DOGG. In a seller's market, he's buying. He's the new owner of his old label home, DEATH ROW RECORDS. He appears, for now, to have bought an unfurnished home, having acquired the Death Row brand but not its iconic catalog of music for an undisclosed price from MNRK MUSIC GROUP. But Variety and Billboard report that a music acquisition is expected to follow quickly. Variety's JEM ASWAD says Snoop will wind up with "some of the label's music rights—his own and unspecified other artists." His own presumably means his first two albums, which alone would fetch a princely sum in the current catalog market. Death Row was also, of course, home to DR. DRE's THE CHRONIC and TUPAC SHAKUR's ALL EYEZ ON ME, among other hip-hop classics. But the label has traded hands multiple times over the past 13 years—a Canadian company called WIDEAWAKE ENTERTAINMENT picked it up at auction for $18 million in 2009 and HASBRO, the toy company, owned it for a short time—and some of its music rights have floated out the door along the way. Music rights are never simple.

The brand, of course, is as checkered as its catalog is golden. One of its co-founders is famously serving 28 years for manslaughter, and its original financial backer was in prison for attempted murder and drug trafficking until PRESIDENT TRUMP commuted his sentence, reportedly after some secret lobbying by Snoop. But oh those records. And who would you rather have in control of them: a private eguity firm, an investment fund or the guy who made DOGGYSTYLE? He's got plenty of media and business experience, too, and if there's a better time and place to plant the first seeds of whatever he has in mind, I can't think of a better time or place than the "evil, wicked, satanic" halftime show of Sunday's SUPER BOWL, where he and Dr. Dre will be sharing a stage.

Rest in Peace

BETTY DAVIS, the 1970s funk queen who wrote for the Commodores and the Chambers Brothers, was married to Miles Davis just long enough to turn him on to psychedelic rock, released three albums of raw, unbridled, sexually and musically liberated soul so far ahead of their time that we might not be there yet, and then, having failed to find an audience for her music, walked away. Completely disappeared. Given the chance to get back onstage, or even just show her face again, after crate diggers rediscovered her decades later, she declined, saying, "I want to leave them with what they had." Or maybe she'd never wanted to be onstage in the first place? "I wanted to be a songwriter," she once said, "because I figured you could make your money and you could live very quietly." "Quietly" is the one thing she didn't do very well during her supernova years onstage. She participated in a 2018 documentary that told her story but barely appeared onscreen. It's "that rare documentary," EMILY LORDI wrote in the New Yorker, "that makes its subject more, not less, elusive." May she have found the quiet she always sought... Provocative German opera director HANS NEUENFELS... Up-and-coming British rapper DIMZORDIMMA, who was stabbed to death with a machete in a tower block Monday night... DAN LACEY, a Minnesota artist who started going to Paisley Park every day to paint portraits of Prince after the musician's death. He was beloved by fans as a "self-appointed caretaker of mementos" they left outside the property.

- Matty Karas (@troubledoll), curator
they say i'm different
The Washington Post
Black Opry works to promote artists sidelined for decades by Nashville
By Emily Yahr
'The industry has survived so long by keeping us separated,' says the founder of a tour that also functions as a resource for performers and fans. 'Well, now we have community.'
Hypepotamus
Atlanta-based MusicTech Startup Looks To Answer The Question: Whose Rights Are They Anyway?
By Maija Ehlinger
The goal of rightholder.io is to "centralize ownership information and make it easily available for people who need to license music. Because at the end of the day, in order to license music properly, you have to know who owns it." 
The Guardian
'We all need a plan B now': the dicey world of live music after Covid
By Michael Hann
In August 2020, the Guardian spoke to live music industry professionals who had their livelihoods destroyed by Covid. How are they faring in 2022?
The Quietus
Remembering Betty Davis And Her Legacy
By John Doran
Betty Davis was a mover and a shaker in the Greenwich Village of the late-1960s, she was a great musician but was also politically, sexually and sonically progressive, an explosive mix that was too much for many people in her own day.
Vulture
The Twin Ballads of Earl Sweatshirt and Saba
By Craig Jenkins
Both "SICK!" and "Few Good Things" catch their respective artists at unnerving crossroads.
Variety
Snoop Dogg Acquires Death Row Records
By Jem Aswad
Rapper-entrepreneur Snoop Dogg, who rose to fame during the 1990s on Death Row Records, has acquired the label's brand from MNRK Music Group, which is controlled by private equity funds managed by the investment firm Blackstone.
Penny Fractions
A History of Universal Music Group: How the Rich Get Richer
By David Turner
Let's talk about an alcohol empire heir who helped reshape the post-CD record industry.
The Independent
An exuberant, boozy Brits showed the Grammys how awards shows should be done
By Kevin EG Perry
The biggest night in British music was a salute to how defiant the country's music scene has remained, even in the doldrums of a global pandemic.
The New York Times
Spotify's Ongoing Joe Rogan Problem
By Jon Caramanica, Ben Sisario and Nicholas Quah
The controversy over the star podcaster and misinformation raised thorny questions about the streaming service's role as a platform, and exacerbated its conflicts with musicians.
The Washington Post
Spotify, Joe Rogan and the sound of misinformation
By Chris Richards
The podcast host makes paranoia and grievance seem reasonable through the calm of his voice.
nasty gal
TechCabal
The Next Wave: Who will win Africa's music streaming wars?
By Sultan Quadri
Local and global streaming platforms want a share of Africa's booming entertainment industry. Who will come out tops?
The Guardian
Can the K-pop boyband BTS … save the world?
By Moustafa Bayoumi
Their sunny pop-optimism and 'Army' of fans are giving millions of people hope -- and may even be luring some people away from the far-right.
Granta
She Used to Sing Opera
By Imogen Crimp
An essay on training to be an opera singer.
Bandcamp Daily
The Drone Abides: Bagpipes in Experimental Music
By Stewart Smith
From the great Highland bagpipe to the Italian zampogna, bagpipes have particular timbral qualities that lend themselves to folk traditions and experimental music alike.
Song Exploder
Song Exploder: Brandi Carlile – 'You and Me on the Rock' (feat. Lucius)
By Hrishikesh Hirway and Brandi Carlile
Brandi breaks down her song "You and Me on the Rock," and how it was influenced by her wife, by the pandemic, and by Joni Mitchell.
Billboard
Shots for Shows: How Puerto Rico's 'El Choli' Drove Up Vaccination Rates on the Island
By Leila Cobo
Rules at the San Juan landmark coincided with sales of 226,000 tickets, re-igniting the island's concert scene ahead of Latin American countries.
Pollstar
Touring's 'Post-COVID Crash-Test-Dummies' Navigate Labor Shortage, Supply Chain, Inflation
By Ryan Borba
With 2021 having semblance of an outdoor season and notable tours taking place into the new year, a new normal is solidifying. On the production side, however, this means ever-increasing costs, uncertainly overseas and staffing difficulties.
Billboard
Prince Heirs Beat Primary Wave In Fight Over Estate's Future Structure
By Bill Donahue
"The heirs have waited for almost six years to have some control over how the Prince estate moves forward."
NPR
With streaming services and digital downloads, why would anyone buy cassette tapes?
By Leila Fadel and Rachel Martin
Audio cassette tapes are selling well -- even though they don't sound very good and they are not as retro cool as vinyl records.
Variety
Neil Young's Streaming Numbers Soared for a Week After Spotify Pullout, but Have His Fans Migrated for Good?
By Chris Willman
How will Neil Young fare as a streaming presence now that he's taken his music off Spotify, the service that accounted for close to half of his streaming revenue prior to his initiating a break amid the ongoing Joe Rogan?
what we're into
Music of the day
"He Was a Big Freak"
Betty Davis
"I used to beat him with a turquoise chain, yeah." From "They Say I'm Different" (1974).
Video of the day
"Betty: They Say I'm Different"
Phil Cox
Director Phil Cox's 2018 Betty Davis documentary.
Music | Media
SUBSCRIBE
Suggest a link
"REDEF is dedicated to my mother, who nurtured and encouraged my interest in everything and slightly regrets the day she taught me to always ask 'why?'"
Jason Hirschhorn
CEO & Chief Curator
HOME | ABOUT | SETS | PRESS
Redef Group Inc.
LA - NY - Everywhere
Copyright ©2021
UNSUBSCRIBE or MANAGE MY SUBSCRIPTION

No comments:

Post a Comment

Why are billionaires loading up on oil?

JP Morgan analysts have pegged the future price of oil at $380.............................................................................