It was February 2019 when I stepped out of the historic St. Joseph's Performance Hall in Durham, North Carolina to explore the concession stand, only to be met with an unexpected encounter. I was attending the Hayti Heritage Film Festival, one of the longest-running Black, Southern film festivals in the United States, and a cultural institution unto itself. A modern, meta-maroon space, the event centers work by Black artists, whose work in turn is rooted in the Black and African diasporic experience. It takes its name from Hayti: the historic African-American community that predates the modern city of Durham, North Carolina. It's the kind of event where you can start the day exploring ancestral reverence during "Black Feminist Film School," spend the afternoon line-dancing next to a city councilor or county commissioner, and end the evening rubbing shoulders with Oscar-nominated directors and cinematographers who just happen to be from around the way. |
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