I'm a King. Regardless of what I've been through and what I've done, I present myself as a King. And I get that respect from people, from everybody I deal with. I worked my whole life to establish that respect and make sure I get that respect. | | | | | DMX. A hip-hop legend, yes. But a man first. One who suffered from childhood and that story is too often overlooked. (Noam Galai/Getty Images) | | | | "I'm a King. Regardless of what I've been through and what I've done, I present myself as a King. And I get that respect from people, from everybody I deal with. I worked my whole life to establish that respect and make sure I get that respect." | | | | EARL SIMMONS As I write this, social media is reeling with rumors that hip-hop legend DMX has died after suffering a drug overdose-induced heart attack days ago. Rumors are false and insiders like his manager STEVE RIFKIND say he is still on life support. I've been thinking about DMX. Artist and man. When I was building my first company MISCHIEF NEW MEDIA, I always listened to music in the background (and THE SOPRANOS off my DVR). I likely heard him first on HOT 97. "RUFF RYDERS' ANTHEM," and "PARTY UP (UP IN HERE)." That voice. That rasp. Unmistakably DMX. When I joined MTV in 2000, the hits kept coming. "WHO WE BE" and "X GON' GIVE IT TO YA" and on and on. We had booked DMX twice for MTV VIDEO MUSIC AWARDS. The day before each time, he canceled. I can't recall the reasoning. His reputation was what it was. He was wild. Unpredictable. Brilliant. And that was DMX. We filled the spots with big artists last minute and we went on. As I sit back and hope for the recovery of an artist I love, his origins come more into focus. The man. EARL SIMMONS. The one beyond the hype, the theatrics, the gossip. He suffered child abuse at a very early age. A mentor introduced him to cocaine-laced marijuana as a young teen. A moment that would follow him the rest of his life. Watch this interview with TALIB KWELI, it is heartbreaking and brave. These contributed to the anger and rage that would see him in and out of juvenile facilities and jail. But seemingly all the while, not treated for the trauma. Clearly, he dealt with some of his feelings in his rhymes. You can hear it in songs like "PAIN" and "WHO WE BE." But often in situations like the one he grew up in - talking about what you went through can be considered a sign of weakness. Of not being hard. But the truth is anything but... Anyone that knows victims of this kind of trauma understands how extraordinarily tough some are to even live through the events. To persevere and go on. Or to succeed in work or other areas. Clearly, DMX had done much of this. Whether through work. Starting a family. Faith in god. This was not a man that did not try. But sometimes a childhood trauma is something too hard to escape. Or too hard to escape when your mentor, the person you idolized got you hooked on drugs. We are a society that has celebrated outlaws. We love the hard living. The tales. And sadly, the end in a blaze of glory. In celebrity culture and even more so in hip-hop it's been way too acceptable and celebrated. He once said "One thing that people don't really understand is that as a celebrity you rarely get fair treatment. You either get love or hate. It's never really fair." I imagine that's true often, and the public scoffs because of the money, the adoration. The fame is worth it some thought. But after reading up on his life it's the child that didn't get fair treatment. And somewhere along the line as an adult, one would hope we fixed that. I've always believed that you can't save somebody. They have to help themselves. But you can help them. And one gets to thinking how raw a deal Earl Simmons got early on, and even with all the artistry, fame, money, and adulation – those first hurts were too deep. Take him off the stage. Off the screen. A human that suffered. Again, watch the interview. He did it all, but that early hurt, it's still there. Fans and loved ones pray for him. One of those fans is MASTER P. He thinks that DMX's overdose was preventable and he's thinking about how we can stop the next one. Some learnings to bring it home for you. A great long Q&A - "DMX: The Ressurection" (GQ). Fantastic piece on a crucial moment in his career - "DMX, Woodstock '99: a landmark for rap and American realism" (The Guardian). A recent podcast discussion on his life and art (The Ringer). "DMX On Getting Tricked Into Smoking Crack At 14 By His Rap Mentor" (UPROXX). "Can DMX Ever Stay Out of Trouble Long Enough to Top the Charts Again?" (Phoenix New Times) Praying for Earl and his family... Happy Birthday to... PETER LEVINSOHN, SEAN BRECKER, ETHAN KAPLAN, KEITH MEISTER, and LISA GREGORIAN. And a belated to... ANDY FLORIN SMITH, BOB ROBACK, JENNEY SCHOFIELD PORTEUS, DAN PETRUZZI, KRIS BAGWELL, LAUREN GOODE, NICOLE WAGNER LEVINSON, DAVE ULMER, NOAH GARDEN, EMILIO MASCI, ANGELA COURTIN, and TED MICO.
Oh and P.S. - STFU. Get your shot. Your math class, GOOGLE spreadsheet, and your TWITTER feed don't make you a vaccine expert.
| | | Jason Hirschhorn, curator |
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| | | | | Real Life |
| Money for Nothing | by Vicky Osterweil | The more complex crypto seems, the higher the pyramid schemes can go. | | | | The New Yorker |
| Surviving the Crackdown in Xinjiang | by Raffi Khatchadourian | As mass detentions and surveillance dominate the lives of China's Uyghurs and Kazakhs, a woman struggles to free herself. | | | | BuzzFeed News |
| "The Real World" Pioneered Reality TV As We Know It — But At What Cost? | by Alessa Dominguez | The pioneering franchise shaped how reality TV handled race. Now the first two Black castmates are grappling with its legacy. | | | | Defector |
| Is Horse Racing Still Too Big To Fail? | by Barry Petchesky | Although the sport loses public interest with each passing year, at least 24 states directly subsidize it with public funds, likely close to $1 billion annually. "This is an industry that is completely hidden from public view. They've got a direct cash pipeline and they don't want anybody to know about it." | | | | Rest of World |
| A booming industry based entirely on missed calls helped bring India online — and vanished overnight | by Atul Bhattarai | In the age of expensive data, missed calls became more than just a cheap way to communicate. But in India, technology moves faster than you'd think. | | | | The New York Review of Books |
| Weaponizing the Web | by Sue Halpern | A few weeks before the publication in early February of This Is How They Tell Me the World Ends, Nicole Perlroth's disquieting account of the global trade in cyberweapons, multiple US government agencies and major corporations learned that they had been hit with one of the biggest cyberattacks in history. | | | | The Atlantic |
| Your Diet Is Cooking the Planet | by Annie Lowrey | But two simple changes can help. | | | | Forbes |
| Inside The $4.5 Billion Erotic Massage Parlor Economy | by Will Yakowicz | Massages involving sexual acts are everywhere in the United States. But the stories of the women who provide them reveal less about sex trafficking and more about the high price some immigrants pay for a chance at the American Dream. | | | | Slate |
| Why Major League Baseball Is Boycotting Georgia | by Joel Anderson, Stefan Fatsis and Josh Levin | Outrage over the state's controversial voting law doesn't fully explain the league's decision. | | | | Variety |
| Inside the Dirty Business of Hit Songwriting | by Jem Aswad | Sixty-four years ago, as Elvis Presley's career reached its supernova stage, the 21-year-old singer's team hit on a strategy that enabled him to profit from songwriting without actually writing songs. | | | rant:// we are. we aren't. we are. we aren't. aren't we? | | | | | Vox |
| WarnerMedia's CEO says that in 2022 his movies will debut in theaters before they stream | by Peter Kafka | A chat with Jason Kilar, who wants to unwind his controversial streaming plan. | | | | The Ringer |
| The All-Too-Radical Existence of the Black Woman Rockstar | by Lani Renaldo | HBO's new Tina Turner documentary explores the life of an icon who never got her due for existing in spaces typically associated with white artists. And the issue still affects new generations of trailblazing women. | | | | VICE |
| Inside Pakistan's War on TikTok | by Nikki Natividad | TikTok is the most popular social media platform in Pakistan but the app shows a side of the country that doesn't align with its conservative image. | | | | Andreessen Horowitz |
| On Monetizing Community with Patreon Cofounder Sam Yam | by Sam Yam, Li Jin and Lauren Murrow | with @samyamiam @ljin18 @laurenmurrow It's clear from the growth of Patreon, Substack, TikTok, Clubhouse and many more that the power of the Creator Economy continues to build. In this episode, first published a year ago, Patreon cofounder Sam Yam, Atelier Ventures' Li Jin (formerly a16z), and host Lauren Murrow discuss monetizing community, why creators today are effectively making more money off fewer fans, and what all of this means for the future of work. | | | | Quartz |
| How online scammers fooled one of Africa's biggest fintech startups | by Chikezie Omeje | Online scammers in Nigeria used Paystack to funnel their ill-gotten proceeds. | | | | Texas Monthly |
| How the Digital Divide Is Failing Texas Students—And Why That Might Be About to Change | by Sindya Bhanoo | For rural families who lack reliable, high-speed internet, Zoom-style instruction is a luxury. | | | | Digiday |
| Why growth of women's sports coverage and advertiser interest is bogged down by small steps forward | by Sara Guaglione | Coverage of women's sports has not historically attracted the same level of advertisers' interest or media coverage as men's sports. Inhibitors include lagging efforts by publishers in this space, a dominance of men in sports media and a struggle to convince advertisers of the value of aligning with content beyond big sports events. | | | | That Is Interesting |
| Why the US Erased its 9th Largest Lake | Tulare Lake, the 9th largest lake in America, was a long-standing fixture of the Central Valley. But today, it is gone. In this video, I look at the history of this fascinating lake, the reasons for its draining, and the consequences that decision is having on the region to this very day. | | | | ...by Ken Levine |
| The State of Television -- THIS Minute | by Ken Levine and Preston Beckman | Longtime NBC/Fox scheduler/guru Preston Beckman discusses the current television landscape - all the the changes and where things might be heading. TV is evolving quickly. If you want to break in, you need to know who's out there, what they're looking for, and where you fit in. Preston Beckman can help guide you. | | | | Hollywood Reporter |
| Kareem Abdul-Jabbar: Hollywood Must Do More to Combat Asian Stereotypes | by Kareem Abdul-Jabbar | Back in the late '60s when I was a student at UCLA studying martial arts under Bruce Lee, he spoke often and passionately about the harmful way Asian Americans were portrayed on television shows and in movies. | | | | | | | Video of the day | "In the Age of AI" | FRONTLINE PBS | A documentary exploring how artificial intelligence is changing life as we know it — from jobs to privacy to a growing rivalry between the U.S. and China. | | | YouTube |
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| A documentary exploring how artificial intelligence is changing life as we know it — from jobs to privacy to a growing rivalry between the U.S. and China. | | Music | Media | Sports | Fashion | Tech | | "REDEF is dedicated to my mother, who nurtured and encouraged my interest in everything and slightly regrets the day she taught me to always ask 'why?'" | | | | | Jason Hirschhorn | CEO & Chief Curator | | | | | | | |
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